How the West Was Won and Lost (1999 – 2019) Sarah Staton’s art practice ventures in many directions in terms of materials employed and forms realised. The towering accumulations seen
SELFIES (2018) Artist Magda Archer has produced another of her glowingly bright and biting works for flyingleaps. Selfies (2018) is a cute but cogent critique of our contemporary screen culture.
THE COURAGE TO SAY NO Mark Titchner’s art practice takes many and varied forms. For example, his hugely ambitious, triple-dome work Me. Here. Now. was recently installed at Stainer Street SE1. Three
Wank (2018) Martin Rowson The artist and visual journalist Martin Rowson has been calling out the self-serving piffle of hypocritical, sanctimonious politicians and public figures for something approaching four decades
WARHEAD (2018) by kennardphillipps is a characteristically bold rebuke. It’s as if Trump’s head and body have taken on a physical manifestation of his gargantuan capacity to hate: he’s turning
Second Class (2018) Heath Kane says he wants his work to engender a ‘smile in the mind’ of viewers but there’s also a sincere attempt to ‘tell stories’ that relate
Between the Acts, 2018 From dizzyingly vast social panoramas to achingly intense studies born, it would seem, of a discrete and privileged access to families and small local gatherings photographer
