Between the Acts, 2018 From dizzyingly vast social panoramas to achingly intense studies born, it would seem, of a discrete and privileged access to families and small local gatherings photographer
POST BREXIT U.K. (2017) The range of materials and visual languages employed by Magda Archer encompasses the use of both subtle and bold painterly acrylic, collage, borrowings from pop culture,
ANTI-BREXIT DANCE-OFF (2017) It’s a subject artist Magda Archer is deadly serious about: the fall out from the UK Brexit vote. Two recent prints for flyingleaps combine a number of
Slogans (2017) Slogans (2017) by Oddly Head (aka Tim Fishlock) is the latest addition to a growing body of work that deftly skewers personal and social mores prevalent in today’s
Spirit of Hope (2017) Ever since being mistaken for a cabbie outside Frieze art fair in 2010 Mark McGowan has assumed the role of socio-political chronicler and commentator from the
The Essence (2017) ‘Hurrah! The wonderful @flyingleaps2016 and @chunkymark are working together.’ So tweeted activist comedian Mark Thomas at the news Artist Taxi Driver has collaborated with flyingleaps to produce
More That Unites Us (2017) In the spirit of looking forward with a sense of hope in an achievable progressive future, political and otherwise, flyingleaps’ twelfth artists’ poster print in
STRONG AND STABLE MY ARSE (2017) The artist Jeremy Deller has been dubbed a ‘curator of the improbable.’ There’s plenty of evidence to support this: arranging for a pit brass
Psychic Love Wave (2017) Pasted across billboards; site-specific installations sponsored by progressive councils; fire poems ablaze against dusk skylines and spiritual discourses slid surreptitiously beneath the panes of corporate ad.
Profit (2017) Following on from flyingleaps innuagural image Study for a Head 7 (2016) art activist duo kennardphillipps have now made the equally unsettling Profit (2017). Peter Kennard and Cat
