BORTUSK LEER’S MONSTERS ARE OUT THERE When it comes to bogeymaning their way into art history MONSTERS have form. Hieronymous Bosch’s hybrids are creepy critters. Goya’s ‘Saturn Devouring His Son’
BENJAMIN IRRITANT Legend has it that Benjamin Irritant was raised by a colony of anarcho-syndicalist eco-warrior rabbits. He’s certainly been a distinctive voice on the street for decades. Irritant by
Ben Turnbull’s MADe In America (2019) Turnbull’s addition to the flyingleaps collection. His signature approach to collage being particularly suited to street display: they catch our attention from afar and up close
Public Treasure (2019) Laudet is an artist and educator whose practice examines the material and social fabric that constitutes the ‘commons’: those ideas and resources that affect the whole of
EVERY AGE (has its own fascism) (2019) Every age (has its own fascism) (2019) is Jeremy Deller’s second artists’ poster print for flyingleaps. It’s another excoriating critique of the self-serving,
♥ ♦ ♠ ♣ Disunion Jack (2019) Derek Mawudoku’s Disunion Jack (2019) quartet of posters for flyingleaps train a beady eye on Conflict, Money, Desire and Work in the 21st
Cyprus Realism (Grape 6) (2019) Mustafa Hulusi has released another of his sublime artworks. Cyprus Realism (Grape 6) (2019) began life as a stunningly luminous photograph of a pendulous bunch
Populism (2019) Tim Fishlock (FKA Oddly Head) has delivered another deceptively economic grey grape block colour beauty in Populism (2019). The capitalised white text with its black shadow, in a
TOXIC PEOPLE (2019) Hot on the heels of her extremely popular Problems With Modern Life exhibition at Firstsite Gallery, Colchester another of the artist’s arch and appealing works gets the
