Anxious and Vulnerable (2020) www.magdaarcher.com
Leap Year 1968 (2020) Robert Davidson</h6 It’s all here in black and white… A lean woman leaping over the folded form of a taut man: shared dynamism, force and strength jumps
Anxious and Vulnerable (2020) www.magdaarcher.com
DONT FRET’s flyingleaps collaboration posters are typically droll: In Hiding (2022) we see a face, well, a pair of eyes and nose peeping over a murky green wall. The text
Leap Year 1968 (2020) Robert Davidson</h6 It’s all here in black and white… A lean woman leaping over the folded form of a taut man: shared dynamism, force and strength jumps
Public Treasure (2019) Laudet is an artist and educator whose practice examines the material and social fabric that constitutes the ‘commons’: those ideas and resources that affect the whole of
EVERY AGE (has its own fascism) (2019) Every age (has its own fascism) (2019) is Jeremy Deller’s second artists’ poster print for flyingleaps. It’s another excoriating critique of the self-serving,
♥ ♦ ♠ ♣ Disunion Jack (2019) Derek Mawudoku’s Disunion Jack (2019) quartet of posters for flyingleaps train a beady eye on Conflict, Money, Desire and Work in the 21st
Cyprus Realism (Grape 6) (2019) Mustafa Hulusi has released another of his sublime artworks. Cyprus Realism (Grape 6) (2019) began life as a stunningly luminous photograph of a pendulous bunch
Populism (2019) Tim Fishlock (FKA Oddly Head) has delivered another deceptively economic grey grape block colour beauty in Populism (2019). The capitalised white text with its black shadow, in a
TOXIC PEOPLE (2019) Hot on the heels of her extremely popular Problems With Modern Life exhibition at Firstsite Gallery, Colchester another of the artist’s arch and appealing works gets the
This Way Up (2019) Mark Wallinger is known for his production of thoughtful and provocative artworks over three decades. From an early series of oil paintings collectively known as Capital (1990) which
